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I never thought it was an important moment in gay cinema, but hey, I’ll take it. But yeah, I tried to put in something for everyone. I do know that there is definitely a large gay audience for all the Batman films.
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I’ve heard a couple people say that’s one of the reasons this movie was an underrated piece of gay cinema. I haven’t seen Blonde Venus in years, but yes, that was a direct steal. Of course, that isn’t a reference-I stole it! Oh my God! How did you know that? I love that you know that. In Josef von Sternberg’s film from 1932, Dietrich performs a number in a gorilla suit, and Uma Thurman does the same thing here, except as a pink gorilla. Yeah, I think some of those Arnold made up.Īnother delightful thing that I discovered while rewatching this: You make a Marlene Dietrich in Blonde Venus reference. So you were right that I first saw it as a kid, but I re-watched it as an adult, and all the ice puns that Arnold Schwarzenegger makes killed me. I had a ball making them and I’m really glad I did them, but yeah, I’m not going to apologize anymore. People don’t sit down and say, “Let us make a bad movie and disappoint everyone.” There are all kinds of fans of any superhero, and it’s kind of hard to please everybody, but that’s okay. I also think that audiences really have to understand, and I think they do, no one sets out to make a bad movie. As I say, it’s a long time ago and I haven’t seen the movie in a long, long time. Maybe the humor wasn’t as good as Batman Forever, but I don’t know. Well, in Batman Forever, because of Jim Carrey and Tommy Lee Jones, there was a tongue-in-cheek aspect to a lot of it. What I thought was the most misunderstood part of Batman & Robin was that people didn’t get that it was a comedy. Yeah, your movies are completely different. I mean, look at where Batman started and then you look at the last one, which is really a social, political, moral tale of the darkness around us. What’s interesting to me about Nolan’s movies is that it shows you how the audience has changed. At the studio’s request, we tried to make a more family-friendly Batman. But if you look at Tim’s and then mine, there’s a certain innocence to the whole thing, even though Tim was blasted because some parents thought that Danny DeVito was too scary for kids and Michelle Pfeiffer was in that bondage suit. And we all got to know Bob Kane, and that was really a thrill. One of the really cool things about making the Batman movies was that Bob Kane, who created Batman, was still alive and he would come and visit the set almost every day, and that was fabulous. What do you think of The Dark Knight movies? I think Chris Nolan is so brilliant. Actually the hard thing about doing interviews is I was laughing through the whole thing, and that never comes across. I said, “I’m sorry if the fans were disappointed.” There were a lot of fans that weren’t, but of course there’s no headline in that. Joel Schumacher: I didn’t! I mean, I don’t know how it was interpreted. GQ: I saw that you just apologized again for Batman & Robin. GQ spoke to the director about Batman & Robin’s legacy in gay cinema and his real final words about the film. Schumacher apologized for Batman & Robin again just last week in an interview with VICE (or seemed to), but it turns out this week he isn’t sorry at all. But Batman & Robin is wonderfully silly, with an A-list cast, and there’s a delightful comic-book veneer and a sense of humor that the self-serious Christopher Nolan Dark Knight movies could have benefited from. But it may be the most succinct encapsulation of the Schumacher style: a big and gaudy, colorful and stylish, cheerfully unapologetic crowd-pleaser.It’s an unpopular opinion, even among Schumacher stans ( Batman Forever is the easy winner between the two). “Batman Forever” may not have proven a bellwether of big-screen superhero entertainment, though a dose of self-aware silliness wouldn’t hurt the Very Serious Filmmakers at both Marvel and DC one bit. That failure caused a bit of retroactive conflation of the two Schumacher pictures, which is unfortunate. Sloppy, overcooked and painfully unfunny, it feels like exactly what it was: a filmed deal. “Batman & Robin” has acquired a reputation as one of the worst blockbusters of all time, and it’s not entirely unearned. Alas, he fell into something of the same trap as Burton taxed with reprising a mega-success, he leaned so far into his stylistic flourishes that he alienated a mass audience. quickly signed Schumacher for another installment. It out-grossed “Batman Returns” both domestically and internationally, and Warner Bros. Reviews were more mixed for “Forever” - our critic called it, ironically enough, “the empty-calorie equivalent of a Happy Meal” - but audiences were ecstatic.